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For the sake of clarity and brevity, this chapter uses binary language as regards gender. Chrisjen Avasarala's team is shoving her back into the modern equivalent of the role Aristotle established for women. Aristotle tried to explain why women could not be good politicians. Women were in a subservient position because, at least according to Aristotle, they were, rare to medium. Men were well done, which meant that the “courage of men lies in commanding, a woman's lies in obeying.” Surely (...) the women of the Romantic Era, immortalized so strikingly in paintings such as Frederic Leighton's Flaming June, Edmund Blair Leighton's The Accolade, and Sir John Everett Millais’ Ophelia. At a couple of points, Romantic‐Era philosophy intersects with Avasarala's treatment in The Expanse. (shrink)

Unless the integral relation between the Eucharist and the performance of a public narrative memorial is observed, the sacrificial dimension of the Eucharist can only be misunderstood.