Spend a year dwelling on the awesomeness of God with A. W. Tozer. He will expand your faith in a God so great that words fall short to describe Him. He will nourish you with truth. Encounter Tozer's heart and wisdom like never before in this newly revised edition.

For the sake of clarity and brevity, this chapter uses binary language as regards gender. Chrisjen Avasarala's team is shoving her back into the modern equivalent of the role Aristotle established for women. Aristotle tried to explain why women could not be good politicians. Women were in a subservient position because, at least according to Aristotle, they were, rare to medium. Men were well done, which meant that the “courage of men lies in commanding, a woman's lies in obeying.” Surely (...) the women of the Romantic Era, immortalized so strikingly in paintings such as Frederic Leighton's Flaming June, Edmund Blair Leighton's The Accolade, and Sir John Everett Millais’ Ophelia. At a couple of points, Romantic‐Era philosophy intersects with Avasarala's treatment in The Expanse. (shrink)

Unless the integral relation between the Eucharist and the performance of a public narrative memorial is observed, the sacrificial dimension of the Eucharist can only be misunderstood.

A modernized transcription of the 1550 Venice edition with a valuable introduction and index. The aim of the present edition is not identical with that of the critical edition of the Arabic text edited by Father Bouyges, or with that of the English translation of the Arabic text by Simon Van der Bergh. "The scholar of the Renaissance finds his interest primarily in the Averroes of the printed Latin version." The author explains the difficulties of a critical edition stemming from (...) the fact that the extant Arabic manuscripts are later than the Hebrew versions and some of the Latin versions. A handsome edition.--R. S. W. (shrink)